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Thierry Agullo (1945 in Bordeaux – 29 January 1980 in Poitiers), was a French artist. He is best known for his collections of irons, shoes, and other objects 〔A collection of irons and shoes named ''94 pointes lancées à bouts tronqués'' is exhibited at the Musée d'art moderne de Saint-Étienne. Other collections are held at the Musée de l'objet of Blois.〕 in the sociological art movement of the 1970s. ==Biography== As a youth, Thierry Agullo was interested in typography and publishing and had an apprenticeship under Robert Morel at Soleil Noir. In 1965, he began to collect used irons, which he exhibited for the first time in December 1972 - as well as wallets, purses, and gloves. In 1971, he also produced typographical compositions, collages, and cut-up texts. In 1974, he met the artist Pierre Molinier, who became a colleague as well as a close friend. Their friendship resulted in two series of photographs: ''L'Indécence'', 110 black-and-white photos produced as a limited edition book by the ''À l'Enseigne des Oudins'' gallery in 1975, and ''Thérèse Agullo'' on the theme of androgyny, created in 1976 just before the suicide of Pierre Molinier. In 1975, he joined the ''Collectif d'Art Sociologique'' which was founded in 1974 by Fred Forest. In 1979, he was editor of a posthumous collection of poems by Pierre Molinier, ''Les Orphéons magiques'', written between 1946 and 1950. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Thierry Agullo」の詳細全文を読む スポンサード リンク
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